george Member
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#10 · Posted: 30 Oct 2011 14:47
A solid 7/10 from me.
I saw a 3D showing on Friday afternoon. The cinema itself was about 70% full which, during half-term, probably isn't too bad a turn-out. I was reminded why I never go to multiplexes anymore - do people never sit still or shut up these days? Fortunately the sound was blasting away so strongly it all-but-drowned out the sound of running in the aisles!
I thought it had a very strong opening - the Tintinologist in me was pleased at the way the animators had caught that now-near-mythical pre-war European environment much as Herge did - and it moved along at quite a pace for a good 50 or so minutes. Around about then I felt it started to flag a bit. I can't put my finger on what it was but there was something not quite right about the middle part. The ending picked up but betrayed the film's blockbuster requirements - scene-after-scene of action. building to that crane-fight on the docks that made little narrative sense. Actually, that's a bit unfair because 'narrative' had been replaced by 'chase' by that stage. In its own terms it succeeded, but I was a little disappointed in that approach.
The coda tied it all nicely together, but I can't be the only person fed up with American movies (or TV series) that never really end. It appears that unless you give the equivalent of 'to be continued' you're not doing you job, but I find that deeply unsatisfying.
As with most reviewers I thought Haddock was done very well; it helps that he's always been a bit of a caricature anyway. I also felt they got Tintin right for the most part, at least until the action overtook the story. I've never quite bought in to the "Oh, Tintin is dull; he's just a cipher onto which the reader projects his own personality". He certainly doesn't have the quirks that most of the other characters have but he has a strong personality and a stubborn streak that make him more than just a void. Snowy was just... well, the pet dog; and Castafiore was too thin! Alan was spot on and the twins did what they had to do as comic relief without me ever thinking they were essential to the plot.
I reckon the three books came together to make a single story pretty smoothly. I'm pretty sure I could identify the Herge and non-Herge elements, but I don't think I could, without reference, tell you precisely what bits came from what books.
As for the animation, I've seen Polar Express but this was something new. I suppose I expected something closer to Pixar after seeing the posters and the stills, but this process is quite different. After a while I had to remind myself that, yes, it is animation, and they've not just tracked down a collection of the world's oddest looking individuals to film. In a year or two I'm sure it'll all be old hat (remember Dick Tracy?) but today it felt quite fresh and new. I'm not totally convinced that 3D is required but, from the perspective of the studios, I can understand why they're trying to 'add value' to the experience of seeing a film on its first run. And they got £40+ out of me (2 adults, 2 children) so they're doing something right...
All in all quite a pleasant way to pass an afternoon. I saw Anthea Bell in London a few weeks ago giving a talk about translating Asterix. One phrase she used stuck with me, something along the lines of "to be true to the spirit of a book sometimes you have to be unfaithful to the word'. I think, in those terms the film did what it had to do.
To put it another way, the only comic-book adaptation I can think of that came this close to reflecting the source and yet succeeded in its own right is Sin City (I include reflecting the style of art-work in that, else Ghost World would be there as well). A qualified success. Perhaps more Hollywood than Belgium, but the genes are there at least.
George
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